Power, Resistance, and Religious Values: an Anthropological Study in The Film “Tuhan, Izinkan Aku Berdosa”

Authors

  • Imam Nururi Universitas Islam Negeri (UIN) Sunan Kalijaga Yogyakarta, Indonesia
  • Asep Yudianto Universitas Negeri Yogyakarta, Indonesia
  • Muhammad Abduh University of Sheffield, United Kingdom
  • Fahmi Kurniawan Universitas Islam Negeri (UIN) Sunan Kalijaga Yogyakarta, Indonesia

DOI:

https://doi.org/10.32332/ath-thariq.v9i1/tbv11q23

Keywords:

Power, Religious Values, Resistence

Abstract

The film “Tuhan, Ijinkan Aku Berdosa” represents the relationship of power and resistance in the social and religious context of Indonesian society. This study aims to analyze how power is interpreted, exercised, and resisted in the film’s narrative, and how this representation is related to the function of film as a medium of da’wah that conveys moral and religious values. This study uses a qualitative approach with text analysis design, symbolic representation analysis techniques, and Michel Foucault’s theory of power. An anthropological perspective is applied by reading the film as a cultural artifact that reflects the social dynamics of society, especially in terms of views on sin, repentance, and moral authority. The results of the analysis show that power in the film appears as a mechanism of oppressive social control as well as a trigger for spiritual transformation. Religious values ​​and repentance rituals function as forms of symbolic resistance and become part of a da’wah strategy that is relevant to the modern social context. This study contributes to the study of film as a space for the representation of power as well as a medium for communicative and transformative da’wah.

References

Amaria, L., Siregar, S., Pramesti, T., Agustriansyah, H., & Dewo, A. (2018). Lima.

An, J. (2018). In the Colonial Zone of Contact: Kisaeng and Gangster Films. In Parameters of Disavowal (1st ed., pp. 76–106). University of California Press.

Atkinson, J. D. (2017). Qualitative Methods. In Journey into Social Activism (pp. 65–98). Fordham University Press.

Balio, T. (1985). The American Film Industry. Univ of Wisconsin Press.

Bowman, M. (2017). TV, Cell Phones and Social Justice: A Historical Analysis of How Video Creates Social Change. Race, Gender & Class, 24(1–2), 16–26.

Bramantyo, H. (2023). Tuhan, Izinkan Aku Berdosa.

Christie, I. (2012). What Do We Really Know About Film Audiences? In I. Christie (Ed.), Audiences (pp. 225–234). Amsterdam University Press.

Dahlan, M. M. (2017). Tuhan, Izinkan Aku Menjadi Pelacur!: Memoar Luka Seorang Muslimah. ScriptaManent.

Fahma, F., Safitri, D., & Sujarwo. (2024). Dinamika Identitas Budaya dalam Era Globalisasi: Tantangan dan Kesempatan Media Sosial terhadap Budaya Masyarakat Lokal: Dynamics of Cultural Identity in the Era of Globalization: Challenges and Opportunities for Social Media on Local Community Culture. Jurnal Intelek Dan Cendikiawan Nusantara, 1(3), 3675–3682.

Fahmi, M. (2020). Hegemoni Kesetaraan Gender Pada Film Kartini Karya Hanung Bramantyo. Musãwa Jurnal Studi Gender Dan Islam, 19(1), 85–97. https://doi.org/10.14421/musawa.2020.191.85-97

Fauziyah, S., & Nasionalita, K. (2018). Counter Hegemoni atas Otoritas Agama pada Film (Analisis Wacana Kritis Fairclough pada Film Sang Pencerah). Informasi: Kajian Ilmu Komunikas, 81, 83–84.

Foucault, M. (1983). Discourse on Truth: The Problematization of Parrhesia. (Unpublished Seminar Delivered at the University of California at. Berkeley, USA, in 1983).

Foucault, M. (2005). The Order of Things: An Archaeology of the Human Sciences (This Edition Published in the Taylor and Francis e-library).

Hamonangan, B. D. (2024). Relasi Kuasa Atas Tubuh Perempuan dalam Film Imperfect (Kajian Semiotika Peirce).

Ihsani, S. N. (2021). Kekerasan berbasis gender dalam victim-blaming pada kasus pelecehan yang dipublikasi media online. Jurnal Wanita Dan Keluarga, 2(1), 12–21.

Kevin, M. (2024, December). Tuhan Izinkan Aku Berdosa Kritik Tajam Kemunafikan di Kehidupan Sosial. detik.

King, R. (2017). “The Stigma of Slapstick”: The Short-Subject Industry and Its Imagined Public. In Hokum! (pp. 55–92). University of California Press.

Larasati, R. D., & Noviani, R. (2021). Melintas perbedaan: suara perempuan, agensi, dan politik solidaritas. Kepustakaan Populer Gramedia.

Lerum, K., & Brents, B. G. (2016). Sociological Perspectives on Sex Work and Human Trafficking. Sociological Perspectives, 59(1), 17–26.

Maghfiroh, D. L., & Zawawi, M. (2020). Resistensi perempuan dalam Film for Sama: kajian Timur Tengah perspektif feminisme Naomi Wol. Nusa: Jurnal Ilmu Bahasa dan Sastra, 15(4), 506–520.

Mahendra, A., Ilhami, M. W., Nurfajriani, W. V., Afgani, M. W., & Sirodj, R. A. (2024). Metode Etnografi Dalam Penelitian Kualitatif. Jurnal Ilmiah Wahana Pendidikan, 10(17), 159–170.

Mahmud, A. (2024). Krisis identitas di kalangan generasi Z dalam perspektif patologi sosial pada era media sosial. Jurnal Ushuluddin: Media Dialog Pemikiran Islam, 26(2).

Masyhuri, K. (2016). Media Massa Sebagai Wujud Reformasi dan Pengaruhnya Terhadap Masyarakat Islam. Dakwatuna: Jurnal Dakwah Dan Komunikasi Islam, 2(2), 29–48.

Natasya, N., AbdurRazaq, A., & Muslimin, M. (2024). Analisis Pesan Dakwah Dalam Film Tuhan Izinkan Aku Berdosa. Jurnal Kajian Islam Dan Sosial Keagamaan, 2(2), 171–191.

Nurhidayah, N. (2023). Representasi Kekerasan Terhadap Tubuh Perempuan Dalam Novel Mei Hwa dan Sang Pelintas Zaman Karya Afifah Afra (Analisis Semiotika Roland Barthes). UIN Kiai Haji Saifuddin Zuhri Purwokerto.

Oppenheimer, Y., Cynn, C., & Anonim. (2012). The Act of Killing.

Pahleviannur, M. R., Grave, A. De, Saputra, D. N., Mardianto, D., Hafrida, L., Bano, V. O., Susanto, E. E., Mahardhani, A. J., Amruddin, Alam, M. D. S., Lisya, M., Ahyar, D. B., & Sinthania, D. (2022). Metodologi Penelitian Kualitatif. Pradina Pustaka.

Purnawarman, P., & Syakur, A. A. (2024). Perbandingan Konflik Sosial Dalam Film Toba Dreams yang Disutradarai oleh Beni Setiawan Dengan Film Sang Prawira yang Disutradarai oleh Ponti Gea. Jurnal Ilmiah Telaah, 9(1), 54–64. https://doi.org/10.31764/telaah.v9i1.21472

Sasongko, A. D. (2014). Cahaya dari Timur: Beta Maluku.

Spennemann, R., & Orthia, L. A. (2022). Creating a Market for Technology through Film: Diegetic Prototypes in the Iron Man Trilogy. AAA: Arbeiten Aus Anglistik Und Amerikanistik, 47(2), 225–242.

Subiantoro, I. H., & Amelia, L. (2023). Tari Pertobatan. Bookchapter ISBI Bandung.

Suhardjono, D. W. (2021). Kajian Strukturalisme Genetik dalam Novel Bertemakan Religiositas. Garudhawaca.

Tempo, K. (2024). Film Tuhan, Izinkan Aku Berdosa, AM Hendropriyono: Judulnya Diubah Sangat Bagus. In Tempo.

Wahyuningsih, S. (2019). Film dan Dakwah: Memahami Representasi Pesan-Pesan Dakwah Dalam Film Melalui Analisis Semiotik. Media Sahabat Cendekia.

Wiradnyana, K. (2018). Michel Foucault: Arkeologi Pengetahuan dan Pengetahuan Arkeologi. Yayasan Pustaka Obor Indonesia.

Yudhyani, E. (2024). Strategi Pemasaran Berbasis Media Sosial dan Dampaknya terhadap Brand Awareness. Prosiding FRIMA (Festival Riset Ilmiah Manajemen Dan Akuntansi), 1(7), 1559–1568.

Zakariyah, A. W., Rosidy, N. F., & Wulandari, S. (2024). Analisis Semiotika Roland Barthes Pada Poster Film Tuhan Izinkan Aku Berdosa. Snades, 3(1), 175–179.

Zamzamy, A. (2016). Kapitalisasi Agama pada Tayangan Televisi (Tinjauan Teori Ekonomi Politik Media). Oeconomicus Journal Of Economics, 1(1), 49–70.

Downloads

Published

2025-06-22